The Guardian picture essayColdplayAdventure of a Lifetime – behind the scenes on the set of Coldplay's new videoGuardian photojournalist Sarah Lee was granted exclusive access to the set of Coldplay’s groundbreaking, Mat Whitecross-directed music video at the Imaginarium, a digital motion capture studio set up by Andy Serkis and Jonathan Cavendish in London key=1LMsao4pPD8QIpjxipzGwvRkci2iBpus1Op4ye5gnKkQncG1vNJzZmivp6x7tbTEoKyaqpSerq96wqikaKWlqLake82gZKKmpJq%2Foq%2FToq2eZ2JlfnZ7zaitaGpnZK6lwsSnq66qlWK8p3nAZqOinpWptq6xjJucoaGemXq1tMRmqpydnprAbrvNZqqerF2YvK2wz6WYsqtdo7K4edWim56n

Chick Hicks (Michael Keaton) To do that, McQueen has to get the better of this ruthless competitor who has bumped and cheated his way into more second place finishes than any other car. Who's who in Cars ncG1vNJzZmivp6x7tbTEoKyaqpSerq96wqikaJ6Zobpws8Clo56qqWS9qq%2FTrqmeZ2BheW59j2tnbGppaoBzgZdvY2loXp3Brrg%3D

Spain This article is more than 4 years oldHe's the daddy, judge rules on two-year Julio Iglesias paternity caseThis article is more than 4 years oldFormer ballerina said her son, now 42, was conceived in week-long affair with the pop star A Spanish court has ruled that the pop star Julio Iglesias is the biological father of a 42-year-old man whose mother said she had a brief affair with the singer in the 1970s.

The ObserverFictionReviewThe French writer’s latest literary thriller needs more intrigue and fewer metaphorsIn fiction, the line between writing that is thrillingly spare and prose that is merely disappointingly under-fleshed is a wobbly one. Delphine de Vigan’s complex and gripping psycho-literary thriller Based on a True Story trod this line in unexpected, often chilling ways. The narration was perfect – its tight, almost wilful economy somehow sparking an ambiguity in which you, the reader, became complicit.

The ObserverSociety booksReviewJacqueline Rose wants her book to be a clarion call for a new feminism. But it is long-winded, precious and paradoxicalIn non-academic circles, Jacqueline Rose, who teaches at the University of London, is best known as the author of the 1991 book, The Haunting of Sylvia Plath, a feminist analysis of the poet’s work that drove Ted Hughes halfway round the bend. As Janet Malcolm wrote when she revisited the saga in The Silent Woman, her own book about Plath and Hughes, Rose, whose interests include psychoanalysis, is “an adept of a theory of criticism whose highest values are uncertainty, anxiety and ambiguity”.